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Cité Mémoire L’Assomption

HISTORY COMES ALIVE

THE CITY LIGHTS UP

An immersive and poetic experience blending art, technology, and collective memory, to be enjoyed in downtown L’Assomption.

Four grand-scale projections and a tour featuring 20 historical capsules.
An invitation to walk through time, to discover—or rediscover—the city through the living traces of its history.

Projections

DOWNLOAD THE CITÉ MÉMOIRE APP TO ACCESS THE AUDIO CONTENT OF THE 4 PROJECTIONS LOCATED IN L’ASSOMPTION; THE GHOST HUNTER, THE ARROW OF TIME, MOSAIC AND MEANDERING WATERS

Television star and famed ghost hunter Mark explores L’Assomption’s old courthouse said to be haunted by the spirits of a judge and several children. Disturbing apparitions and sounds emerge from the fog as a captivating blend of light, sound, and visual effects transforms this legendary site into a supernatural spectacle. A bewitching show that blurs reality and imagination, sure to give you the shivers!

The Ghost Hunter

255 Saint-Étienne street, L’Assomption

Dive into The Arrow of Time, an immersive tale that turns the Hector Charland Building into a living canvas. Follow a grandmother and her granddaughter as they weave collective memory, winding rivers and founding stories into a symbolic arrow sash. The region’s culture, history and dreams—from the indigenous legacy to important figures in Québec’s history—are revealed in a visually poetic show that will touch your heart.

The Arrow of Time

Hector-Charland Theater, 225 de l’Ange-Gardien blvd., L’Assomption

Studying at Collège de l’Assomption marks a pivotal chapter in a young person’s life. Here, you study, grow and then move on, forever changed. Past and present students share personal stories from their time at this esteemed institution. Together, their memories create a vivid portrait of a school that has become a symbol of pride for the city, the region, and the province. A moving and inspirational poetic documentary.

Mosaic

Collège L’Assomption, 270 de l’Ange-Gardien blvd, L’Assomption

Every twist and turn of L’Assomption River tells us something about its story. Watching its meanderings is like seeing its history unfurl before our very eyes: from the fur trade to cottage life, from the arrow sash to the various industries that have powered its economy. Nicknamed the “winding river” by the first peoples to live along its banks, it is a living thread stitching together past and future, weaving itself into the identity of the city and the region.

Meandering Waters

Parc du Souvenir, 391 de l’Ange-Gardien blvd., L’Assomption

The historical circuit

All around the downtown area, a grand historical journey comes to life. Twenty stories, drawn from the heart and memory of L’Assomption, unfold through the streets and public squares where history truly took place.
The voices of the past—pioneers, artisans, visionaries, and forgotten figures—speak again in various forms:

  • Captivating podcasts
  • Surprising narratives
  • Augmented reality experiences

Thanks to the invaluable collaboration of the Archives Lanaudière team and local historians, these fragments of history come alive once more, weaving the living thread of the past that has shaped the city and its people.

ARTISTS

MICHEL LEMIEUX

O.C., C.Q., C.A.L.Q.

The originality and scope of Michel Lemieux’s extraordinary creations have been astounding audiences since 1979, when he graduated from the National Theatre School of Canada’s production program. As far back as 1982, Lemieux’s onstage creations were already fusions of music, images, performance and projections. In addition to making an indelible mark on the national scene, L’Oeil rechargeable and Solid Salad were among the first Quebec productions to tour extensively around the world. Ever since, this multidisciplinary artist has defied classification. A creator, set designer, director, composer, performer and videographer, Lemieux continues to be at the forefront of the performing arts.

Lemieux’s meeting with Victor Pilon in 1990 marked a turning point in an already well-established career. With their production company Lemieux Pilon 4D Art, they devise singular shows in which new technologies intensify the audience’s sensory and emotional experience. The duo masterfully integrates theatre, film, dance, poetry, visual arts, music and sound to create unique theatrical worlds. Their close collaboration has yielded Dreamscapes, the installation presented at the Montreal Museum of Fine Arts to mark the company’s 30th anniversary, Icare, La Belle et la Bête, Shakespeare’s The Tempest and NORMAN, a tribute to Canadian filmmaker Norman McLaren. Their partnership with the Montreal and Quebec opera companies resulted in the opera Starmania. TORUK—The First Flight was their fourth collaboration with Cirque du Soleil, after Delirium, Midnight Sun—which jointly commemorated the 20th anniversary of the Cirque du Soleil and the 25th anniversary of the Montreal International Jazz Festival—as well as a number for the show Michael Jackson ONE. They created Continuum, a production based on Philip Glass’s music catalogue, the first multimedia show presented at the Rio Tinto planetarium in Montreal. The duo also collaborates regularly on exhibitions and special events. With over 30 works to their credit, Michel Lemieux and Victor Pilon have garnered acclaim in Canada, the United States, Europe, Latin America, Australia and Asia.

Created in collaboration with Michel Marc Bouchard, Cité Mémoire, an urban multimedia experience, is their latest production.

Olivier Clertant
Olivier Clertant

MICHEL MARC BOUCHARD

O.C., C.Q.

Michel Marc Bouchard has written more than 25 plays, which have been translated and performed all over the world. Lilies, The Orphan Muses, The Tale of Teeka, The Coronation Voyage, Down Dangerous Passes Road and, more recently, Tom at the Farm, Christine, The Girl King and The Divine; a play for Sarah Bernhardt are his most well-known works. Michel Marc Bouchard has received many awards, including the National Arts Centre Award, the Chalmer’s Award, the Dora Mavor Moore Award, the Betty Mitchel Award, theatrical critics’ association awards in Quebec and Mexico, as well as the Primo Arte Candoni in Italy, the SACD Award in Paris, the American Lambda Award, the Gascon-Thomas and the Prix Laurent-McCautcheon. He is an Officer of the Order of Canada, a Knight of the National Order of Quebec and a member of the Académie des lettres du Québec. The film (Les Feluettes, The Orphan Muses and Heat Wave) and television adaptations (The Tale of Teeka) of his plays have earned him many awards including the 1996 Génie Award for Best Film and the Gémeaux for Best Dramatic Program in 1998. The film adaptation of Tom at the Farm directed by Xavier Dolan earned numerous awards including the International Critics Award at the 2013 Mostra in Venice. The year 2016 saw the release of La Reine-garçon by Mika Kaurismaki, the Finnish director for whom Bouchard wrote the screenplay, as well as the lyrical adaptation of his play Les Feluettes by the Opéra de Montréal. Bouchard was also behind the following major historic and thematic exhibits: Ludovica, Histoires de Québec (1998) for the Musée de l’Amérique française in Québec City, presented again in 2001 at the Museum of Aquitaine in Bordeaux, France; Talons et tentations (2001), for the Musée de la Civilisation in Québec City ; Maria Chapdelaine, Vérités et mensonges (2002), at the Musée Louis Hémon, Péribonka, Québec ; and the inaugural exhibition of the Grande Bibliothèque du Québec à Montréal Tous ces livres sont à toi ! (2005), presented again at the Musée de la Civilisation (2007).

Created with Michel Lemieux and Victor Pilon, Cité Mémoire, an urban multimedia experience, is the latest production to which he has contributed as a writer and dramaturg.

MONTRÉAL EN HISTOIRES

420 McGill, bureau 401
Montréal (QC) H2Y 2G1

T. 514 666 1861

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